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Tuesday, June 28, 2016

jaga ani jagu dya...

Mansa olakhta yena ha anubhavacha bhag asla tarihi tyat aapli pragalbhata kaami yete.
Mansa olkhun apla sampark aani sahavas tyabarhukum tharavne hyala vyakti chaturya mhantat yeil. 
Mansa paarkhun tyavar swatahacha mat athva tika sarvansamor mandna hi judgement hote
Khota vagna khoti khoti stuti karna garaj nastana bolna kiva vayphal ikadchya tikadchya gappa marna hya goshtinmadhe jyanna ruchi asel tyanni ti avashya karavi
Pan he hi titkach khara ki utshrunkhal vartan patkan olkhu yeta
Eka chashmyatun jag pahun sarkhe Rang disu shaktatahi,
Pan ajubajula khup swant sukhay , gahiri, shant ani sarvasamanyanpeksha vegli ashi hi mansa ahet...
Apan adhyatmik utkranti chya vegveglya tappyavar ahot he khara ahe
Vayyatikritya jari vaicharik bandhilki nasli mhanje manatlya manat apan technically kahihi vichar karu shakto ani kahihi vichar yeu hi shaktat..... tari dusryanchya vyaktiswatantryavar ani vaicharik baithakivar kadhihi tashere odhu naye...
Integrity Genuinity Simplicity ani sahaj sundar sthayibhaav hya goshti rare ahet aani aslya kiva dislya tar tya atyant kaljipurvak japlya pahijet kiva tyanchi kadar keli pahije.

Monday, June 27, 2016

Thoughts over a walk...

There are people who work extremely well using assertiveness as a virtue towards getting things done. 
There are two sides to the coin of behavioural characteristics 
Confidence brings an aura of positivity to the person who exhibits it via body language, speech, tone, expressions and response towards the external precursors...
Things that determine nature of a person maybe his upbringing, experience, maturity and evolution as a human
Humans are far more profound than just an equation of action- reaction...
Some of us are pushy 
Some of us are dominating 
Some of us intimidating 
Many of us, adamantly stubborn
Many intruding 
A few downright irritants 
And these adjectives arise due to differences in opinion of people that perceive us... 
Many chose silence as a tool of response 
This by far is an extremely valid way of communicating since that is when energies speak... 
And right messages are accurately conveyed to people via vibrations...
Those who sense it, resonate...
Those who fail to sense aren't meant to know the response. 
Trusting our instincts and sticking to what our gut says is by far one of the most reliable source of decision making tool ever known to mankind 
It's okay to be selective about the tribe you want to dwell with 
Our frequencies must ideally determine the interaction between Us 
This isn't far beyond the mundane nitty gritties of current busy life of ours, 
It's very much a part of us and a huge part of what we come across 
Atleast it should be...
Having said that, the interpersonal Nuances can be well understood by Us only when we truely understand the difference between 
Calm, quiet, peace, mute, silence and null...
I promise myself to listen more than I hear
I pledge to use words only when I really feel like...
I will keep reminding myself that 
Knowledge is Not WISDOM 

Tasmay Shree Guruve Namaha 

-  Prajakta Sathe

Thursday, June 16, 2016

Soulmate triology...

Rains would kiss the earth and that union would be their love making for it leads to the sprouting of seeds that lay within its womb, fertilising it into blooms... the fragrance is heady and alluring for most of us.... unique and non recreable. That earthy essence of union is Love...

Romantic love, love for family , Love for self, love for society ,unconditional love, Universal love... we have categorised the concept for ourselves.... maybe... pondering on the concept of soulmates for analysis I humbly request to take my write up as a perspective.

We per say imbibe this very characteristic of Love and humor (experiencing joy) from the creator....
We try to find and do find our soulmates at different stages of our lives...

There are ones singular or plural who come in our life with a high speed, the passion is phenomenal, the chemistry is full on and we have the time of our lives with them. Everything is on a high... emotionally and physically... There is a But here.... this doesn't last or isn't meant to be... it either has to fade, go away, lead to circumstantial separation and eventually you don't get to be with the person for some reason or the other.... Both of you have a tough time to get over it/ move on/ let go... we have no choice but to accept it with or without mutual consent...

Then there are soulmates that we live with... we get habituated to with bonds of marriage or mutual commitment... There might be marriage on the cards of love and there might be love strung in the twine of marriage... however they are neither inclusive nor exclusive... There is convenience , comfort , habituation , security, collaboration of funds, intimacy assurance (in most marriages) , joys of parenting and the settlement into family life... it's a safe place to be... We love to be safe.... whether we are in love while being safe is another question... we continue to bask in this happy settlement for nore reasons than one. We are bound by our beliefs our conditioning and our traditions...

And there are soulmates with whom we have a tremendous emotional connect... our thinking vibes with similar frequencies , we compliment each other in all ways intellectually mentally and spiritually as well... there is mutual admiration and respect. We might have thought about each other out of the platonic and may have imagined the physical aspect of union in our minds, but we always stop there. We like to keep some things platonic. There is romance in the incomplete. We never even mention about the possibility of togetherness.... yes there is romance of different things sorts.... there is love for the personality that the other is.... we love our personality when we interact with the other.... but that's all about it....

Soulmates come , stay and go... that's the order of life... nothing is permanent. We'd like to believe that love is, but it isn't. We are intelligent species and with our ability to think and design life in a way that most things are sustainable for a longer period of life we make Bonds and commitments and dwell in them making things work for each other and all others we are associated with.

Cheers to all soulmates who were are and will be...

- Prajakta Sathe

Drishtikon

The making of an artist means much more than signing up for a run of the mill class and more so for the streams of art forms typically popular amongst the layman seekers. Many feel that enrolling their young one for a dance class, a drawing camp or an acting workshop would make artists out of them. Little does the common man know that there goes a plethora of talent, hard work, mentoring, practice and experience that goes into the craft of making an artist out of a human .
In yester years, Guru Shishya Parampara was predominantly prevalent and probably the only way to take up any kind of learning. This ensured that living in close proximity with the Guru, the disciples imbibed knowledge, lifestyle, discipline and wisdom through observation and maximum interaction and his company. In today’s fast paced life, students spend time with Guides, Teachers, Trainers for not  more than a couple of hours per week and that too in a commercial class set up where batches come in and go out on a session basis or a per hourly meter. This stark reality hits us big time when we consider our growth into this ocean of creative brilliance that performing art rightly is, it is natural to find ourselves struggling to hold a reassuring hand of a Guru. Learning happens, unlearning doesn’t and this per say is one of the most essential prerequisites of being anywhere near creative field. 
Having said that, I have a brilliant proof to support the myth that we all stand to believe, ‘Where is the time?’ This is the time and if we really seek, we’ll be lead to an experience worth reliving again and again for the rest of our lifetime. I am a changed person after I’ve attended the residential Katha Kathak Antardhara workshop organized by LAAYANGIKAM at Rambhau Mhalgi Prabodhini at Utan under the guidance of the great Kathak Maestro Pt. Rajendra Ganganiji and a team of brilliant scholars, artists and speakers in various fields of Literary, performing and fine arts. This workshop rightly transforms mere dancers performers and students of Kathak into blooming Artists with sensibilities that are gently opened up to absorb experience and exude creativity through various mediums. 
The sheer brilliance of making this concept work, is the presence of one of the greatest gentlest kindest and most humble artist that Panditji is. We lovingly call him ‘Guruji’  A respectful bow to the Master mind Smt. Archana Sunjayji to have taken the pains to execute this dream of recreating a Gurukul experience for all of us through her honest and sincere efforts for the noble cause of the empowerment and unification of Artist community under one roof. When I think about penning down about what I procured from the workshop, I am amazed at the impact it has had on my existence as a human. My outlook at looking at any art form has taken a 180 degree turn and has led me to believe that there is such intricate subcutaneous layering that goes into understanding a work of art or to live as a seeker of  creative repertoire , I am indebted to my destiny and the almighty to have chosen me to experience this first hand. In this article I am trying to compile my understanding and perspective about various seminars talks and presentations that took place during the course of the workshop.



Kathak is seen as a medium of storytelling and the ‘Kathakaars’ took it forward from temples to spread amongst the masses as a link to Godly worship, then it was seen to be performed by courtisians when it procured its ‘Rajashraya’, it then slowly but surely got its due of being amongst the enlisted official classical dances from India to be performed on stage and appreciated by classes. When I say classes, I wouldn’t try and give it a second thought since even till this date classical dancing remains to be a topic of investment of time efforts energy patience and of course money for many years until it starts yielding its so called fruits in terms of commercial profit. There still lies a major confusion amongst many people about the differentiation between Traditional, Contemporary and Modern dance. This can be cleared when one understands that content and presentation are two different things. Similar ideas can be presented by various artists in diametrically different methods. ‘Sahitya, Sangeet, Chitrakala and Shilpakala’ readily contribute and must ideally be contributing to understanding of any dance form. A seeker must read, write, watch, listen, imbibe, soak and absorb all of the above to start his/her journey into transformation from a seeker to an artist… All artists are primarily seekers and chose to remain so…. However, not all seekers turn to become Artists.
Kathak has a language of rich abstraction yet it is never ambiguous , it is strung by ‘Vishay vastu and kram’ i.e. definite rules yet it lends liberal and ample freedom of expression to a performer. This makes it an art form closer to us, hence naturally loved and understood by the audience as well as the performer. ‘Tatkar’ is its inner pulse, ‘Thaat’ is a dynamic fluid image with subtle undercurrents of minimal movements from top to toe, yet what  it exhibits, is phenomenally striking and an epitome of grace. The initial ‘Vilambit laya vistar’ presented by a Kathak performer is rightly called ‘Thaat bandhna’ Performance is described by many as an act of sacred meditation yet to many it seems like a ritual of practice and delivery. Unless the dancer’s body, mind and soul are aligned with syncronicity, there wouldn’t be any so called ‘magic’ happening on stage. There is a difference when a performer dishes out ‘ Waah waaa’ from the public while an ARTIST generates a spontaneous ‘Ahhh ahahaa…’ from the audience. This is called a ‘Daad’.
Kathak is a dance form equivalent to the highest level of Yogic concentration. ‘Bols’ are intraforms and the ‘Padhant’ compliments the rhythm and hence the body, mind and soul trio unify during the recital enveloping the audience into an amalgamation of ethereal ‘Rasanubhava’. Here body is only a means of expression and ART takes people beyond their bodies. Riyaz makes the artist accept and assimilate the language and add on his/her own uniqueness to its translation while performing to reach out to a space beyond the mundane world. An artist must be engrossed in music, poetry, listening, hearing, music, writing and practicing. Programs come by the way and fishing programs must never be the sole purpose of learning. All art that we are doing today is Contemporary because it is a present practice happening in real time. Artform is like an ‘Ittra’ or an essense which translates itself into a fragrance when exposed to air… To every individual it signifies different meaning, for some it’s a smell, for others it becomes a treasured memory which they recreate by whiffing it constantly over their wrists or from the tiny bottle of perfume… Some may hate it  a few may love it…. Whatever the reaction it generates no one can deny its existence. 

All these artforms are closely interlinked with each other where Dance as a medium of articulation has its language in the form of ‘Chalan’, ‘Raag roop’, ‘Sanchari bhaav’ and ‘tatva vistar’ where in right from the posture to stage presence, from gait to aesthetics, from content to style everything comes under a scanner and is magnified to critical opinion as a natural progression. Performance in its physicality might have miniscule ‘Kshanbhangur’ existence on stage but by default has infinite life in the memories of the audience artist and accompanists so much so that every performance becomes etched on to the growth graph of all three components. Having said that, many artists have command over fractions of beats, mastery over ‘anvat taals’ or ‘laaykari prabhutva’ and the nuances in his craft, but very few are able to create the so called ‘Magic’ on stage. Here is one of the reasons : A performer shows bhaav with the help of ‘Ang , pratyang and upang’ over a thumri rendered live on stage, an artist becomes the Thumri. This is the highest point of joy to the seeker. Artist, accompanists as well as audience all become equal seekers in this sacred act of creation. Success  is established when THE dancer disappears and the Dance remains.
The quintessence of Kathak is that one needs to be blissfully engrossed in the sheer joy that the dance exudes. It may be in learning, practicing or watching. The quiddity of being the so called ‘exponent’ lies in the fact that one gets to readily open up and accept everything that one experiences as a ladder towards growth, there is no right or wrong and everything needs to be respected as a perspective. That is why the tenet of not sticking to the tickmarks in a preplanned presentation holds true for any presenter. What happens on stage is in no control of the said components involved, one can do the best by preparing his/her best and then let the artform take over. 
When a Kathakaar chooses to do ‘Swantsukhay Abhyas’, Kathak becomes a Yog stringing together the ‘dekhya, seekhya, rekhya’ into a blissful state of ‘ pariksha, chintan, manan and aakalan’. This is the holistic approach towards Kathak. The Kathak scholar Late Pandita Rohini Bhate rightly mentions ‘padhant’ as chanting of ‘Bols’ where the ‘lay ki karvate’ is observed through its loops and knots in the filigree of composition. One must be a Yogi who is pro-chanting and consider ‘Bols’ as mantras repeating them so much so that you get ready for the next step i.e. Improvisation. ‘Padhant’ is the poetry of ‘taal ang’ where the artist lights a lamp via perfection and ignites thousands of lamps in hearts of the audience through it…
Riyaz is a ‘yagna’ where in there is ‘samarpan’ ‘prarthana’ and ‘aahuti’. ‘Seekh’ and ‘tayyari’ manifest in an experience which is sublime yet definite, defined yet difficult to describe, immaterial yet gross and yet extremely personal and private experience to each and every person. When a dancer explores the ‘Avakasha’ or the space zero, he builds structures, geometry, designs and patterns on and over it and within it and beyond leading to a state of SO-HUM, where everything becomes one and there is one in Everything…. This ‘YAGNA’ is irreplaceable and inevitable. Broadening our minds, emerging out of mediocrity and choosing to refuse to become a victim of influence can lead us to a step closer to embracing our uniqueness as an individual. Knowing where to bow and when to stand up is the marker that will set us forth as dance exponents, seekers of experience and culminating into artists. 

This rightly explains as to why a ‘ Bharatnatyam’ performer must visit a painting exhibition or a Sculptor must attend a classical concert or an ‘Instrumental performer’ must see ceramics being made or a ‘Kathak dancer’ must go to see ancient Temples and caves not merely as a tourist but as a student… We do not need to understand everything we see to enjoy it. Dropping our conditioned beliefs towards a set of likes and dislikes and leaving our prejudice and assumptions aside, we’d be ready to go inside an exhibition or an auditorium as one person and emerge out as a changed person. There has to be more unlearning in order to open up our pores to absorb the wisdom. ‘Kala’ per say is ‘Saarvbhaum’, we do not need to understand its grammar to enjoy it, we just need to be present there at the moment of creation and it will give each one of us what it has to. 
I dedicate this article to Natraj, Gurutatva and to ART that was, is and will be ever created…

- Prajakta Sathe. 

Sunday, June 12, 2016

Contemplating...

We come across so many people at different points in life. 
They seem strategically popping up at specific intervals.
We must be thankful to them for showing up. 
They have played the roles they have to play and also have taught us what we need to learn. 
There are no ifs and buts and what ifs in the way they meet us.
With time , age and experience, people fail to surprise me. 
Not that I expect wondrous miracles or melodrama...
But I kind of know to what extent a human can be good , not so good, intelligent, not so sharp, hardworking, lazy, psychotic, normal... 
All types, kinds genres, professions seem to have surpassed....
There is now only one distinguishing factor...
Energy of that human and his soul evolution...
What matters is if they vibrate in frequency attuned to mine or if there is a discrepancy in it...
I no longer fall in love or get in the awe zone... I don't even get disgusted or offended...
Because I know it's a journey and it's individual and unique and not same for all if us...
I live and let live... I talk with people I want to talk to...
I hang out with my tribe. 
Where I don't fit, I don't dwell. 
I don't give the keys of my happiness to anyone else....
I take responsibility of my own behaviour 
I am not afraid to call dud a dud and spark a spark...
This fearlessness has got to do something with being unpretentious and non judgemental....
If I ever get late because I overslept I will say so. 
If I am envious of anything I will talk it out to my Guru and ask him to help me get over it
I am a human and it's normal to have all emotions sprung up at times...
Yes there is power play.... yes there are ego issues at times...
Yes I struggle with a few issues in my personal life...
But I don't sugar coat. I want to be real and that's the goal...
There is a difference between rawness and realness...
With what you see is what you get , there are going to be pointers on various virtues...
On integrity on maturity on loyalty on personality and all the frills it comes with.
I would any die with clear conscience than lose sleep over democratic candy talk...
I have realised my strengths earlier than the weaknesses, for some it's the other way round...
But there is no option but to eventually come to know of both... 
As I type this post today I am so happy that I said No when I felt that I needed to stop something that happened a few minutes back...
I am also glad that I spoke my mind and out forth exactly what I felt like to a person who was with me...
I have a clear mind and calm heart today.... 
I know where I am Heading and exactly what it is going to take where I want to be.
There is no rush, actually no point in pushing too... what is meant to be will turn out to be exactly as it's supposed to be...
We are all seekers of one thing or the other...
So off I go on a quest...
I am eager to connect with everyone from where I m destined to be....
God bless us all...
We are good folks...
And we must know it...

- Prajakta Sathe.

Saturday, June 11, 2016

Banks of Krishna

Wai happened as a pleasant surprise. Not only for its comfortable stay Nd excellent weather, but for its sheer timing and placement in the hectic schedule of vacations. Summer time is always full of to the dot pre occupied calendar. First part of May goes in the workshop and the latter part goes in a pre registered courses that I take up every year. This year I got free on the 13 th which was the last day of the workshop at my institute. The workshop was about artistic grooming and expression through different mediums. It was a grand success... Immediately after that I did a short script writing course at Learning Cinema conducted by the national award winning writer director Veena Bakshi. Two weeks of intensive training took me from a writing enthusiast to someone who now understands what it takes to write a feature film script. Though I have a long long way to go before I even think of writing a good script, I am on a good phase. I have my idea and concept clear. I must start writing really soon. It was good that my maiden scripting work was torn apart by the panel of critics... it's fantastic to be at a place where I am in writing a screenplay - zero. Excited to start over again asap. Doing the homework for it is fun. 
Wai was gentle, specially the Krushna river... it did show its aggressive face in the evening while we rafted... plus this is the closest I have been to nature since a long time... I was so happy basking in the quietness... there was green and soft sun and hammocks and coolness in the air even in the noon... the bullock cart rides, the unlimited fresh sugarcane juice, the post dinner long walks and the tent stay was breathtaking. The back door of my tent opened in a yard of lillies... what a sight to have... the lock of my tent was camel shaped and life size murals were painted by local artisans on the doors... the shamiana, the baithak, the veranda of every tent lended a cosy and inviting feel. The place was interspersed with terracotta art pieces installed strategically at various places. They took care of making it feel decked up without looking exhibition like. The food was wholesome and simple. 
What I loved is the house of Nana Phadanwis, it had such a romantic old world charm. There was nothing dingy about the one man narrow dark steep staircase and box like rooms with tiny windows.... the wooden work was so strong and intact. I wish they maintained the outskirts of this heritage place better. I was highly enraged when people littered right outside the Vaastu. I pray and hope this is declared as a heritage conservation project soon. It was funny how the men from our group got trapped in the 'wada' as the caretaker locked them and went on to cook for herself at the ground floor kitchen. The rescue operation took a few attempts since our voices from out couldn't reach her deep inside the kitchen... an instance to remember. I fell in love with the 'Ghat' outside the place. It was picturesque,  well conserved and clean. The huge 'vad, pimpal and umbar' trees surrounding the ghats lent chillingly cool shade right amidst the scorching sun. It was mystically alluring. I didn't feel like leaving the place and wondered how it appeared in the evenings... I am sure it would be magical. I am going to be revisiting it again and then going here in the evening. The open banks of the river at the other side of the Dam was phenomenally windy and beautiful in the evenings... I can go there again and again just for the sheer feel of the romance of the evenings near a water body as natural as it is.... Amazing is an understatement when I describe the aesthetically wonderful Narsimha temple. It is an architectural wonder built on a huge well and carved out of stone. I loved the beauty and I secretly wish to shoot at the place one day soon. The temple is clean. However again the place outside the temple is extremely filthy and full of garbage and stink. The Dholya ganpati is very very big idol but it fails to impress. The temple is ancient but very noisy and doesn't lend any peace... We did manage to make a quick factory tour to Mapro which was fun. Tasting various fruit n flavor based drinks n jams, shopping and eating ice cream was thoroughly enjoyed. I so wished and carved for a star gazing night... it was pitch dark... however the resort people didn't shut the railing lights. Night enveloped our tents as we played a few card games. We all slept like a baby. Wonder how, but Wai presented good sleeping pattern to me. I am a happy and a refreshed soul. Rutu farm gets a 4 on 5 stars for its hospitality and comfort. I would love to revisit this place again soon. To experience better and emerge enriched... 
I am counting my blessings as I type this blog in the comfort of my AC bedroom. I feel grateful for everything that I have and I don't have at this given moment. Another day marked in life... the quest for Living the moment...continues...


On the way to Wai...

This is from a recent trip I made. With a tiny doubt in mind , I set for a journey with my folks... my relations by blood and by birth along with a few people whom I was supposed to be with. I always start journeys with hesitancy and somehow every time it fades out as the travel period progresses... We start later than we were supposed to, but i neither crib nor complain. I am okay, this time I have taken everything more than required... stuff and time both... ample is one thing , abundance is another... I collect things in anticipation, I am boring that way... I plan and execute with precision... I rarely like surprises however I d like to improve on Spontaneity... thats been a personal goal for long... in the bag there is now a book and a pen... earlier it used to be a book to read... now I require pages to write.... and ample... sometimes I feel like scribbling sometimes I like to doodle n draw... random memoirs penned down... outspurs jotted down in points thoughts or sentences... 
Not that reading it bad.... but I find it thoroughly over rated... so is writing. Anyone can and must write... it's no big deal... when I write I suffer a bout of verbal diarrhoea ,complain my friends and I write too much... one must always do things one enjoys... do u ever complain that you get way too much salary? Lol.... no right? And thank God I don't have a fan base yet... I do have followers who read my stuff. But for most reasons they read it out of curiosity more than their liking for my style. Maybe because I don't have a style... I am not a student of literature neither have I ever been trained in writing. However I know that I can write and I must write just like any other man or woman can and must... 
Just another thing that I d like to jot down... I ve got some 67 odd friend requests on a single day and they seem to pour in and pile up with time.... I had no mood to go through them... however out of curiosity I checked last time and the requests were 116 on Facebook. Like... really? And why? Why so now? And why suddenly ? My filters are proper... only friends of friends can send me requests... but then again... it shouldn't affect me... however it is to an extent bothering me.... anyways... that's a part of what I am thinking about....
A lot many things are coming true via wishful thinking.... I was thinking about a pending payment that I was receive and it arrives in my account within a few hours... things are extremely meticulously planned to perfection...
 No matter how much we push, they will always happen when they have to... in this way I seldom think about how and how long I have come from. At a time I can see myself... I was extremely low on confidence , conscious to death, closed and timid girl to what I am today...
I opened up and started accepting consciously out of choice... this was more of a confident embrace to situations in life... there were lessons and then there were lessons... some surprises, a few dud pricks... 
I have started to realise the humongous pressure of the What now ? Or now what? And then? - questions... these don't give you space to breathe and for me Breathers are more important than the actual important events in life... 
The gaps prepare us to face the Fulls... when I was sitting in the car, I was cold then I was very hot, I was sleep deprived yet my mood wasn't shifted to the wrong side. We listened to a lot of music, surprisingly I sang many many songs.... after a point... The music too got boring... how much would one listen? Then we switched everything off... no one spoke anything... it was beautiful listening to Silence... we ate when we got hungry and closed our eyes when we wanted to... this ready to go jumping girl in me was good and well under control... 
And I am happy to be here at Wai , where life has slowed down..
 For good...
- Prajakta Sathe. 

Wednesday, June 1, 2016

Thin line

Indifference and non interference
Giving space and making someone feel left out
Caring for and being worried about
Loving and attachment
Helping out and over burdening someone
Inclusion and acceptance
All have a very very thin distinguishing line...
Let this not be flimsy but very clear...
Life is already a blessing.
Let us be.
Let us value the solitude we have
Different people act and behave differently at different times according to how situations are and it's perfectly okay
You can't expect a person to be perfect in your perception at all times
We all faulter
We may or may not realise
Once a thief need not always be a thief
Every person has a story and a valid one for him and her
That tale being relevent or irrelevant to us doesn't make it less important...
All of us are learning...
Education doesn't signify wisdom
Experience is never directly proportional to age
And it's human to be judgemental however this very thing needs to be unlearnt as we evolve
It's simply RUDE to Label and hence futile to gossip...
There are so many blessings in life...
Quiet doesn't meant peace
Not doing any work doesn't imply enjoying solitude
It is crucial to be aware of what's going on with US just us...
No this concentration on the feelings core won't make us self centred....it will make us more gentle more calm more human....
Let us all be... just be...
Nothing more is needed...
We all are doing our best at what we already do...
Let's just keep doing that...
Let the perceptively negative go behind...
Smile more...
That's what is needed....
Hearty laughter
Genuine acknowledgement
Hugs... tight hugs...
Holding hands...
Walking together....
Sitting besides each other....
Breathing the same air...
Feeling the connect....
We don't need to meet to bond...
We are already a part of each other in more ways than one...
I feel so blessed...
Tasmay Shree Guruve Namah
- Prajakta Sathe